10/10/2006

Fudo from Konpira-In

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Fudo from Konpira-In, Kurayoshi



Fudo to throw water at whilst making a wish
mizukake Fudo (mizukake fudoo) 水掛不動




After I threw water at the statue :




Detail of the wet face




ooo ooo ooo ooo ooo ooo ooo ooo ooo ooo ooo ooo


Painting of the Five Great Fudo (godai Myo-O)




Blue Fudo in the middle



More about
Temple Ohirayama, Konpira-In at Kurayoshi



Godai Myo-O and other five great ones
五大明王、五大力菩薩、五大如来


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Please send your contributions to Gabi Greve
http://groups.yahoo.com/group/Darumasan-Japan/

Alphabetical Index of the Daruma Museum

Kannon with 1000 Arms

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Kannon Bosatsu with 1000 Arms,
Senju Kannon 千手観音

This is a very rare example of a fine statue outside, in the Garden of Temple Ohirayama, Konpira-In at Kurayoshi, October 2006.





Look at the 11 heads and the crown.
Juuichimen Kannon 十一面観音





Detail of the 1000 arms (usually 42 of them are depicted)




Arms of the right side




Arms of the left side




More about
Temple Ohirayama, Konpira-In at Kurayoshi


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Temple Entsuu-Ji, Kagamino Choo, Okayama prefecture

In the temple is a walk with small statues of the Shikoku pilgrimage to the 88 temples. This is one of the replicas in stone.



Stone Kannon with 1000 Arms

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. Senjuji 千手寺 Senju-Ji .
Kameoka, Kyoto
Tokonagesan Senjuji 獨鈷抛山千手寺 Mount Tokonage-San, Senju-Ji
This Kannon Statue was carved by Kobo Daishi Kukai.

There are other temples called 千手寺.
Mie, Okayama . . .


- - - - - Mie
千手寺 / 曹洞宗 Soto Zen
三重県津市安濃町前野24 / 24 Anōchō Maeno, Tsu-shi, Mie

専修寺 高田山 Takadayama - Takada Honzan 真宗 Shin sect
2819 Isshindencho, Tsu, Mie

- quote -
Mie Prefecture's Biggest Buddhist Temple
Just 5 minutes walk from the JR Isshinda Station in Tsu City, and directly east of the Kintetsu Takadahonzan Station is the largest Buddhist temple in Mie Prefecture, the Senjuji. Surrounded by high earthen walls, with an impressive set of gates and the distinctive Taikomon bell tower’s gabled roofs, the temple looks more like a small castle than a place of worship. Listed as an Important Cultural asset, and boasting a 725 tatami mat floor space, the main worship hall is the largest wooden structure in the prefecture. The temple was founded by the great monk Shinran Shonin in 1226, and was the chief temple of the Takada branch of the Jodo Shinshu sect of Buddhism. The temples name “Senju” was taken from the sects’ prayer chant, senju-nenbutsu (Mindfulness of the Buddha) although it is also known as the Takada Honzan.
In 1477,
the temple was designated an official Imperial temple, and elevated in status again 100 years later to that of Monzeki, being a temple headed by priests of imperial or aristocratic lineage.
Of the 12 main structures
in the temple complex, seven are registered as Prefectural Cultural Assets. The first to gain your attention is the main Sanmon Gate, an impressive 20 meter wide, 15.5 meter high built in 1704. Entry through the magnificent structure takes you into the 10,750 square meters of grounds.
Directly ahead
is the 42 meter wide sacred hall, Mieido, dating from 1666. Inside is a most impressive sight, starting with the huge wooden pillars and interlocking cross beams, the white painted edging of each beam is in stark contrast with the color of the aged timbers and darkness of the ceiling. However, it is the inner sanctum that is truly marvelous! Gold leaf adorns the pillars, while the roof is a mosaic of brilliant blues and greens like the tail of a peacock. Behind the red clothed alter on a black lacquered base sits a brilliant golden pavilion surrounded by a bright red parapet.
Completed in the 1740’s,
the twin roofed Nyorai-do’s first focal points are the complex array of roof trusses supporting the upper level. As with the inside, the edging of the woodwork is painted white, contrasting with the older darker timbers. Inside, while not as elegant or as colorful as the more important Mieido, there’s still enough gold and fancy ornamentation to keep you gazing in awe.
Treasures of the Senjuji
include a wooden statue of the temples’ founder, Shinran seated with prayer beads in hands. The scroll, “A record of Shinrans’ Dream” is also preserved at the temple, along with other national treasures and important cultural assets.
Behind the Sacred Hall
is a lotus pond and a winding stone path leads you through a beautiful moss garden called Unyu-en. Within the moss garden is a traditional tea house named Anraku-an, which was relocated to the Senjuji from the remains of Fushimi Castle following the castle’s destruction in the Battle of Sekigahara in 1600. Visitors wishing to see the Houmotsukan treasure house and inside the tea house are asked to contact the Senjuji Temple in advance.
- source : en.japantravel.com Chris Glenn -



- - - - - Okayama
千手寺 - 真言宗寺院 Shingoon
岡山県岡山市北区大内田581 / 581 Ōuchida, Kita-ku, Okayama
- - - - - HP of the temple
- source : senjyuji.web.fc2.com-

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Kannon Bosatsu
Read Mark Schumacher with all the Details !


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10/07/2006

Zao Gongen

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Zao Gongen 蔵王権現
zaoo gongen


source : facebook

The God of Shugendô: Zaô-gongen (the Avatar Zaô)

He appeared to the mounain ascetic En no Gyooja and is enshrined in all mountain temples that he build in his honor. The most famous are Yoshino, Ishizuchiyama and Mitoku San.

Zao Gongen can be imagined as a deity inbetween the inherent Shinto Deities of Japan and the Buddhist Deities imported from Mainland China.

Zao Gongen is ordinarily represented with the third eye on his forehead, his hair standing up, holding up a three-pronged Vajra (the weapon with diamonds), wearing an animal skin, with an expression of rage, with one leg raised while the other is placed on a rock.



This is a piece from the Early Kamakura Period
© From the Taman Collection
http://osaka-art.info-museum.net/selection_e/bud/e_bud_02.html

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Kinpusenji Yoshino 金峯山寺 吉野山





Zaodoo 蔵王堂
Zaodo Hall for Zao Gongen
© More in the WIKIPEDIA !

When En no Gyoja prayed for a deity to help safe Japan from its woes, first Shaka appeared, but that was not powerful enough.
Then a Kannon with 1000 arms appeared, but that was not powerful enough.
Finally he prayed again and Zao Gongen appeared, as an incarnation of all the Buddhas and Shinto Deities.
So the three Gongen statues at the temple represent these three deities.



Click here for more photos :
source : noharakamemushi


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Zao Gongen
Heian period (794–1185), 11th–?12th century, Japan
Gilt bronze; H. 13 5/8 in. (34.6 cm)
The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975 (1975.268.155)



The syncretic nature of Japanese religious life is evident in the icons and practices associated with the deity Zao Gongen, the abiding spirit of Mount Kimpu, in the Yoshino Mountains south of Nara. Zao was the protective deity of Shugendo, a Shinto-Buddhist cult devoted to ascetic practices and mountain worship. Images of him are based on the vajra-bearing guardians of the Buddhist pantheon.

This finely cast bronzed image of Zao Gongen expresses the fervor of his cult in the latter half of the Heian period, as well as the refined aesthetic sense of the Fujiwara aristocrats who were its most powerful adherents. Poised on one leg, Zao brandishes a now-missing vajra (thunderbolt scepter); his might and ferocity are rendered in a sensitively modeled form embellished with delicately chased designs on the windswept garment. This icon was probably placed in a grotto similar to the one in which it was discovered in modern times, still worshipped, in a village on the Japan Sea north of Kyoto.

© Metropolitan Museum of Art


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The Statues of Zao Gongen

at Mitokusan, Sanbutsu-Ji, Nage-ire Doo


Click on the photo for a larger version, it takes some time to upload.

ooo ooo ooo ooo ooo ooo ooo ooo ooo ooo ooo ooo

The Main Talisman of the Temple




All the Statues in the Treasure House





Quoted:
http://www.town.misasa.tottori.jp/site/page/allindex/mitokusan/bunkazai/

... ... ...








Misasa Town Tottori


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Here are some more of my own LINKS

The Cherry Tree is the holy tree of Zao Gongen in Yoshino.

Zao Gongen, En no Gyooja and Yoshino Mountain

Ichizuchiyama, a holy mountain in Shikoku四国の石鎚山


Mitokusan, Sanbutsu-Ji, Nage-ire Doo
三徳山三仏寺(みとくさんさんぶつじ)



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Zaoo Gongen (Kongoo Zaoo, Zaoo Bosatsu)

"Die Inkarnation Zaoo".
Ein wilder Bosatsu, der sich um 660 dem Bergheiligen En no Gyooja nach 1000 Tagen der Askese auf dem Berg Kinpusan in Yamato (Zentraljapan) offenbarte. Er entstand wohl aus der Verschmelzung des ursprünglichen Bergglaubens und der buddhistischen Gottheiten und ist Hauptgegenstand der Verehrung der Bergasketen im Yoshino-Tal (Yoshino shugendoo).
Er wird häufig in drei gleichartigen Figuren dargestellt, entsprechend seiner Allgegenwart zu allen Zeiten:
Shaka Nyorai (Vergangenheit),
Tausendarmige Kannon (Gegenwart) und
Miroku Bosatsu (Zukunft). In dieser Form ist Zaoo Gongen auch identisch mit Dainichi Nyorai.

Ikonografie
Furchterregender Gesichtsausdruck. Ein Kopf, drei Augen, zwei Arme. Haar steht nach oben ab. In der rechten Hand hält er hoch erhoben einen Donnerkeil, die linke hält er in Höhe der Hüfte, mit ausgestrecktem Zeigefinger und Mittelfinger etwas nach oben weisend. Der rechte Fuß ist in einem Ausfallsschritt (choojidachi) hoch erhoben und gibt der Figur einen besonders dynamischen Ausdruck.


.Buddhastatuen ... Who is Who   

Ein Wegweiser zur Ikonografie
von japanischen Buddhastatuen

Gabi Greve, 1994



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source : sekisindho

一天護持 - 蔵王権現

. Kawabata Ryuushi 川端 龍子 Kawabata Ryushi .


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Blair Heather Blair
. Real and Imagined: The Peak of Gold in Heian Japan .
Kinpusen 金峯山

. Noten Okami 脳天大神 and Yoshino .
龍王院 Ryuo-In - Dragon God Shrine


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9/28/2006

Narita Fudo

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Narita Fudo 成田不動尊
Shinshooji 新勝寺 Temple Shinsho-Ji




成田山 平和大塔 Peace Pagoda



大本山成田山新勝寺  大塔掛仏係
〒286-0023千葉県成田市成田1番地 
http://www.naritasan.or.jp/benefit/daitonobutu.html

The Peace Pagoda in Narita was built in 1984. It is 58 m high and situated on a small hill.

In the second floor, a 6 meter large statue of Fudo Myo-O is placed.




In the fifth floor, the Diamond Hall (kongooden 金剛殿 こんごうでん)five statues of the five Wisdom Nyorai (gochi Nyorai 五智如来  ごちにょらい) are placed.


Mark Schumacher about the
Five Buddhas of Wisdom



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- quote -
Narita San 成田山 Shinshō-ji 新勝寺 "New victory temple" 
The temple was established in 940 to commemorate the victory of the forces dispatched from the Heian capital to suppress a revolt by the powerful Kantō region samurai, Taira no Masakado.

The Shingon priest 寛朝大僧 Kanchō accompanied the force, bringing with him an image of Fudō myōō from the Gomadō (Fire Offering Hall) of Takao-san Jingo-ji in Kyōtō. Shingon founder 弘法大師 Kōbō Kobo Daishi himself was said to have carved the image and used it in Goma sacred fire rituals that helped stop a rebellion during his era. The rebellion in 940 also came to an end just as Kanchō completed a three-week Goma ritual with the same image.


source : naritasan.or.jp

According to legend, the image of the Unmovable Wisdom King became too heavy after the victory to move back to its home base, so a new temple on Narita-san, named Shinshō-ji (New Victory Temple), was built to enshrine it on the spot.
The temple maintains that the original image is enshrined in the Main Hall, where it is displayed on special occasions, but art historians date the current image to no earlier than the 13th century.
- source : wikipedia -


. Kōbō Daishi Kūkai 弘法大師 空海 Kobo Daishi Kukai .
. (774 - 835)

. Taira no Masakado 平将門 / 平將門 .
(? - 940)

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A stone statue of Fudo Myo-O from the temple Daigo-Ji in Kyoto, said to be carved by Kukai himself, was brought to the Kanto area to bring peace to the region and marks the beginning of Narita Fudo in Chiba.

. Daigoji 醍醐寺 Daigo-Ji .

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nana seigan 七誓願 Seven Sincere Vows
in the presence of Fudo Myo-O



・明るい笑顔で奉仕のはげみ-奴僕(ぬぼく)の行 -nuboku
・まごころこめて助け合い-羂索(けんさく)のおさとし - kensaku
・苦難に耐えれば開ける希望-盤石(ばんじゃく)の決意 - banjaku
・精進努力に豊かな実り-燃えさかる火炎 - kaen
・常に冷静 不動の心-ゆるぎなきみ心
・正しい判断さとりのめざめ-利剣(りけん)の智慧 - riken
・いただくご利益(りやく)みんなと共に-加持力(かじりき)- kajiriki

- reference -


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Kabuki and Narita San

A succession of actors named Danjuro Ichikawa whose house name is 'Naritaya' has a deep relationship with Naritasan for many generations. The first Danjuro Ichikawa was born in 1660 during the Edo period. His father, Juzo Horikoshi was from Hataya in Narita city. Even now at the graveyard in the Toko-ji temple in Hataya, there is Danjuroo the first's tomb which was built by Danjuro the second.

Danjuro the first had difficulty having a child so he prayed to the Narita Fudo-myoo god and soon after had Danjuro the second. After that his Kabuki themes revolved around the spirituality of the Narita Fudo-myoo god. His play, 'Tsuwamonno-kongen-soga' became a hit. His successors, also named, Danjuro were also deeply religious in the Fudo-myoo god and performed a play called 'Risho-ki' about how people can be blessed by the Fudo-myoo god. Thanks to the success of their plays, the Fudo-myoo god became well-known among the people of the Edo period. Danjuro the seventh was also a believer and he donated one thousand Ryo (monetary unit of the Edo period) to build Gaku-do hall.


Danjuro II

Edo (Tokyo) peoples interest in Naritasan was stimulated by Kabuki performances and Naritasan monks displayed the Fudo-myoo god at Fukagawa-eidaiji temple. Eventually worship at Naritasan became popular with Edo (Tokyo) people through. At first, worship at Naritasan was only popular with high society and wealthy merchants, however, between 1804 and 1829 it became more popular with ordinary people because it was enjoyable four day return hike through beautiful scenery.
source :  www.city.narita.chiba.jp


CLICK for more .. Narita and Kabuki


The makeup of Danjuro II, called kumadori 隈取, was taken from the facial expression of the statue of Fudo Myo-O itself.
When Danjuro performed in Edo, people identified him with the deity and would throw donation money at the stage.





Ichikawa Danjūrō XII

(April 1985 - February 2013)
Previously known as Ichikawa Shinnosuke VI and Ichikawa Ebizō X.



Danjūrō was diagnosed with leukemia in late spring 2004, after falling ill and becoming unable to perform alongside his son (Ichikawa Ebizō XI), who was celebrating his shūmei at the time, having become the latest to take the name Ichikawa Ebizō. Though illness, and subsequent hospitalization, forced Danjūrō to leave the stage for long stretches in 2004-05, he later returned.

He died of pneumonia in a Tokyo hospital on February 3, 2013 at the age of 66.
© More in the WIKIPEDIA !


. Danjuro XII
and the freedom in Kabuki acting .


Danjuro painted a poster for the festival of the day of the fish, toto no hi 魚の日(ととのひ)
. Tsukiji Fish Market 築地市場 .





. Narukami Fudo Kitayama Zakura 雷神不動北山桜 .
Kabuki with Ichikawa Danjuro

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Shibaraku (暫, しばらく) "Stop a Moment!"
is among the most popular pieces in the Kabuki repertoire, and one of the celebrated Kabuki Jūhachiban (Eighteen Great Plays)



The plot centers around the figure of Kamakura Gongorō Kagemasa, who has become the stereotypical bombastic hero of the kabuki stage, with red-and-white striped makeup and strong, energetic movement. The historical Kamakura Kagemasa is famous for his bravery for having continued to fight after losing an eye in battle in the Gosannen War (1083-1087).
- - - More in the WIKIPEDIA !

. Kamakura Gongorō Kagemasa 鎌倉権五郎景政
(born 1069) .


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source : Naritasan Shinshoji Temple HP

O-Mamori - Amulets


for luck with money



to find a good partner - 恋愛成就絵馬



small scroll with Fudo Myo-O - kakejiku 尊影掛軸



Goma Amulet
Gomafuda is wooden amulet to receive benefits, which has been placed over a fire and blessed with the spirit of Fudomyoo through a Goma fire rite.
Migawari-omamori (Substitute-amulet) is a small amulet to ward off accidents and evils.

The Goma fire rite is the most important of the services conducted in Naritasan Shinshoji Temple, a temple of Shingon Esoteric Buddhism. It is conducted several times every day and anybody can attend. The Goma rite is a mysterious temple service in which we pray to Fudomyoo, the main deity of Naritasan Temple, for the fulfillment of our wishes.
The chief priest burns Goma sticks with various burnt offerings. The fire, a symbol of the wisdom of Fudomyoo, extinguishes our earthly passions, which are symbolized by the sticks, and brings us to a higher state of mind to win the virtues and favors of Fudomyoo.

Fudomyoo, one of the popular Buddhist deities, is fierce-looking and wreathed in flames with a sword and a rope in his hands. The sword cuts away hindrances of passion and false knowledge, and the rope is used to draw in beings to Enlightenment. To demons he is terror, but to the faithful he is the remover of anxieties, banisher of evil and savior from oppression.
Fudomyoo of Naritasan Temple has been worshiped by numerous people from all over the country for a long time.

source : Narita san - Omamori


. Amulets and Talismans from Japan . 

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Print by Utagawa Kunisada / Toyokuni III

Ichikawa Ebizō V
as the Mystical Image (Reizō) of Fudō Myōō,

Ichikawa Saruzō I as Kongara dōji (矜迦羅童子), and
Ichikawa Komazō VII as Seitaka dōji (制吒迦童子)
No. 9 (九) from the series Eighteen Great Kabuki Plays
(Jūhachiban no uchi -十八番の内)
source : Lyon Collection


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Ichikawa Ebizo, Ebizoo
十一代目 市川 海老蔵
The 11th Ishikawa, born 1977年12月6日

In December 2010, he caused quite an uproar when involved in a drunken pub brawl, causing him multiple fractures of facial bones.

. . . getting into a drunk brawl


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Bronze Fudo in a Wood Shrine



. Fudo Myoo : Bronze Buddha In Wood Shrine  


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A Peace Pagoda  Heiwa Daitoo
is a Buddhist stupa designed to provide a focus for people of all races and creeds to help unite them in their search for world peace. Most (though not all) have been built under the guidance of Nichidatsu Fujii (1885-1985), a Buddhist monk from Japan and founder of the Nipponzan-Myōhōji Buddhist Order. Fuji was greatly inspired by his meeting with Mahatma Gandhi in 1931 and decided to devote his life to promoting non-violence. In 1947, he began constructing Peace Pagodas as shrines to World peace.

The first Peace Pagodas were built as a symbol of peace in the Japanese cities of Hiroshima and Nagasaki where the atomic bombs took the lives of over 150,000 people, almost all of whom were civilian, at the end of World War II.

By 2000, 80 Peace Pagodas had been built around the world in Europe, Asia, and the United States.

"Civilization is not to kill human beings, not to destroy things, not to make war; civilization is to hold mutual affection and to respect one another."
-Most Ven. Fujii

Peace Pagodas in Asia

2.1 Hanaokayama, Japan
2.2 Hiroshima, Japan
2.3 Nagasaki, Japan
2.4 , India
2.5 Mount Kijosumi, Japan
2.6 Narita-shi, Chiba-ken, Japan
2.7 Darjeeling, India
2.8 Vaishali, India
2.9 Ladakh, India
2.10 Lumbini, Nepal
2.11 Gotemba, Shizuoka, Japan
2.12 Pokhara, Nepal

© Quote from the Wikipedia

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Photo by my friend Hiroya Sato
and look at this video by Hiroya san:
Moonlight illuminates the Shinsho-ji Temple


Join us:
. Joys of Japan - Facebook Friends .

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Haiku and Peace

World Peace Day International Day of Peace

War and Peace (sensoo to heiwa)  

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Last Fire Ritual at Narita Fudo :
"Osame-Fudo" is a kigo for Winter.

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Many temples have a Fudo statue consecrated at Narita (bunshin 分身), and are also called

xyz - Narita Fudo 成田不動.

They will be added in the comments to this entry as we continue the pilgrimages.

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Pilgrimages to 36 Fudo Temples in Kanto  関東三十六不動霊場
Nr. 36, the last one

. . Pilgrimages to Fudo Temples 不動明王巡礼
Fudo Myo-O Junrei - Introduction .   .



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. Japanese Legends - 伝説 民話 昔話 – ABC-List .

daisoojoo 大僧正 Daisojo, the Great Priest
The legend of 寛朝大僧 Great Priest Kanchō, see above

Yuuten 祐天 Saint Yuten
The young Yuten went to Narita san to pray to Fudo for wisdom.
- - - Read what Fudo did to the young acolyte:
. Yuuten, Yūten 祐天 Yuten Shami (1637 - 1718) .


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- reference : Nichibun Yokai Database -

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- #naritafudo #fudonarita #naritashinshoji #shinshojinarita -
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7/31/2006

Black Fudo

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BLACK FUDO MYO-O Kuro Fudo Myo-O 黒不動明王
Black Fudo is not common in Japan.


The Unshakable Buddha
Circa: Meiji, 19th-early 20th century
H 9 in.(22.5cm.), W 5 in.(12.5cm.), D 3.5 in.(9cm.)
Private Collection



© BuddhaMuseum.Com

BuddhaMuseum.Com is a Company of ArtRampage Design, All rights reserved ©
black fudoo, black Fudou Myou-ou Myou ou
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There Are Two Black Buddhist Gods Written On the Gohonzon
One Is On the Left and One is On The Right

http://www.proudblackbuddhist.org/There_are_Two_Black_Buddhas.GIF

Fudo myo 'o Art
We At this African and African/American Nichiren Shoshu web site realize that this subject matter is controversial and could cause concern, we would be happy to discuss this matter with anyone who is capable of bringing clarity to this issue. We find this subject to be interesting and motivating and we would love to discuss this issue.
Those Hokkeko members who have concerns by all means bring this matter to the Priests. If there is an error in our dissertation we will correct it. Our documentary research has led us to believe that we are correct and as it stands there are two Black Buddhas on the Gohonzon
http://www.proudblackbuddhist.org/There_are_Two_Black_Buddhas_on/Untitled_8.html


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Black Fudo Statue in the Hall for Ten Kings
十王堂

十王堂 の 黒不動明王像

薬師堂には、もう一体青銅製の黒不動明王像がある。この不動様は西根寺泉の修験東性院の本尊であったものがあるが、廃寺になり、長井市に多くの院の文書と一緒こ寄贈されたが、まだ博物館もない時だったので、一時薬師寺に委託されたものである。いかめしい容貌をしており、刀身・身体につけた装身具には金箔を貼っている。江戸時代中期の作であろう。
もともと、インドの原住民ドラビタ族が、西から侵入してきたアイリヤ族に圧迫され、その支配下におかれた時の苦難の姿を現しており、どんな困難にも不動の精神で耐え抜くという我慢強さを仏格化したもので、修験道に結びついてひろまった。

赤黄不動明王像
薬師堂に「厄除けの仏様」として赤黄不動明王がまつられている。高さ59センチ程の立像で、凹部の褐色と凸部の鮮やかな朱色が像をますます立体的な美しいものに見せてくれる。カッと大きく開いた目、固く結んだロ、体つきも写実的で不自然さがない。後部の火焔は平坦な板状で、左頭上の焔だけが前にせり出しており、室町中期に造られたものであろう。
不動明王は、密教では大日如来の使者として、信者を守る仏様である。暗いお堂の中、ローソクの火の光で不動明王を見ると、いかにも生き生きとして頼もしさを感じる。
http://www.rainbow-club.jp/main/see_040.html


In the Yakushi hall there is a Fudo statue to ward off evil (厄除不動 yakuyoke Fudo - 赤黄不動明王 ).

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. Yakuyoke Fudo 厄除不動 Fudo to ward off evil .

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7/11/2006

Medicine Buddha

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Quote From : Exotic India Art


The Tibetan word for Dharma is 'chos' which also means to cure or heal.

Indeed Tibetans have traditionally taken a deeply spiritual approach towards healing, the potency of which is only now being recognized by the entire world. When they speak of Dharma, what is implied is not just the traditional form and practice of orthodox Buddhism but the heroic effort to progress spiritually out of unconsciousness and into full awareness. The practice of Dharma is an essential means for remedying the mental and emotional obscurations that prevent enlightenment. Verily thus the Buddha of healing is shown here seated on a lotus pedestal. The lotus is a symbol of the total abandonment of samsara, so only those who have entered upon the transcendental path are represented enthroned on a lotus flower.



This smoothly sculpted Buddha is golden-hued, glowing with an inner radiance. Even though the expression on the face is supremely calm and serene, the whole solid body seems to be bursting with a kind of pregnant energy eager to burst forth. The Buddha's drape held in place with the help of the knot at the midriff seems to be the only element restraining this vigor from escaping. This is nothing but the potential healing energy inherent in each of us.

In the highest traditions of Tibetan and Nepalese art, the body of the Buddha is strong and well-formed, but even then there is no trace of hardness or rigidity. Rather there is a fluidity to the whole composition accentuated by the folds and falls of his drape, which collect finally like a stream of nectar at the Great Buddha's feet. The delicate, sensitive fingers too point to the high calibre of the artist.

Tibetan doctors traditionally perform rituals in front of an image of the Medicine Buddha, believing it to grant potency to their medications.

http://www.exoticindia.com/product/ZL76/

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Eight Brothers of the Medicine Buddha



http://www.exoticindia.com/product/TK17/

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The Cosmos of Healing (Tibetan Medicinal Painting)



http://www.exoticindia.com/product/TG43/



Materia Medica of Vegetable Origin



http://www.exoticindia.com/product/TJ29/

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Front View of Human Anatomy

This painting shows the anterior view of the human anatomy. In the painting bones are classified into twenty-three different groupings.



For the cranial bones there are five groups: the skull, occipital bones nasal bones teeth and mandible.

For the trunk there are nine groups: vertebrae, sacrum, coccyx, hipbones, shoulder bones, collarbones, sternum, ribs and costal cartilages.

For the arms there are three groups: humerus; forearm, including the radius and ulna; and the hand, including carpals, metacarpals and phalanges.

For the legs thee are five groups: femur; lower leg, including tibia and fibula; patella; calcaneus; and the foot, including the tarsals, metatarsals and phalanges.

Finally there is a single group comprising the fingernails and toenails.

All the bones are connected by 12 major joints and 210 minor joints.

The human body is covered with thirty-five million pores, and on the head there are twenty one thousand hairs.

Also shown in this painting are the five full organs (heart, lungs, liver, spleen and kidneys), and the six hollow organs (stomach, small intestine, large intestine, gall bladder, urinary bladder and reproductive organs).

http://www.exoticindia.com/product/TG51/

ooo ooo ooo ooo ooo ooo ooo ooo ooo ooo ooo


More Tibetan Buddhas of Medicine


Copyright © 2006, ExoticIndiaArt
http://www.exoticindia.com/


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Medicine Buddha with Attendants



Tibet, roughly 15th century
Thangka, mineral pigments with gold on prepared fabric
Height 104 cm, width 84 cm (approximate)
© Leiko Coyle Asian Art

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Peaceful and Wrathful Deity Body of the Bon Religion
Tibet, 20th century
Pigments on cloth
Height 104.1 cm, width 66.7 cm
Rubin Museum of Art



© www.orientations.com.hk, May 2008

The power centers in the body remind me of the chakras of India.


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Yakushi Nyorai, the Buddha of Healing in Japan
by Gabi Greve, Darumamuseum



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Alphabetical Index of the Daruma Museum

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7/05/2006

Mokujiki

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Buddhist Sculptors Gallery

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Mokujiki and his Fudo 木喰の不動さま

(1718-1810)



This file moved to the BLOG of Enku 円空
January 2012

. Welcome to Master Carver Enku 円空 ! .



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Saint Mokujiki was born in Marubatake in 1718. He converted to Buddhism when he was 22 years old, and received his ordination with the name Mokujiki at the temple Rakanji in Tokiwa at the age of 45.
Mokuji underwent a type of severe ascetic training that does not allow the consumption of grains, fish, boiled food and salt. He kept to the rules of this training for his entire life.

He went on a pilgrimage throughout Japan until he was 93, and carved more than 1000 Buddist images during this time.

In his old age, when he had passed 80 years, he realized that people need something king and gentle to become kind themselves.

「みな人の心を丸くまんまるに  
どこもかしこも丸くまん丸」

"Peoples hearts need to be all round,
everything needs to be all round and smooth!"

He then started carving Buddha statues with the special smile on their faces, for which he is now so famous. The smile and roundness makes his statues so different from the ones of his fellow Enku.



Smiling Guardian Deity for the People, Mori Town
http://www.rengeji.com/e/mokujiki.html



Click HERE to look at more of his statues !!!!!


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From temple Enzoo-Ji, Joetsu Town, Niigata
木喰上人は、俗姓を伊藤といい、享保3年山梨県に生まれ、22歳で仏門に帰依し、その後45歳で木喰戒(火食を絶ち、五穀をさける)を受け、92歳でこの世を去るまで、5度の日本回国を行いました。
この仏像は、文化3年円蔵寺で彫られたものです。上人は、昼、寺に集まる人々の病気や苦悩の相談相手となり、夜は黙々とナタをふるい、一夜に最高3体を刻んだと言われています。
http://www.city.joetsu.niigata.jp/ogata/kyouikuka/bunkadentou/shiteibunkazai/enzouhudou.html

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通力自在不動明王(木喰上人筆)
Writing by Mokujiki



不動明王を表す梵字の左側には「日月清明」、右側には「天下和順」の小さな文字がある。

なきがらは
いづこのうらに
すつるとも
みは御嶽に
あり明けの月

nakigara wa
izuko no ura ni
sutsuru to mo
mi wa Ontake ni
ari ake no tsuki

Copyright(C) T.TAKEDA 1999
http://www005.upp.so-net.ne.jp/albali/menu06/d01.htm


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. 狸谷山不動院 Tanukidaniyama Fudo Temple .
In 1718, Saint Mokujiki practised zen ascetics in the cave here for 17 years.


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Enku and his Fudo Myo-O


. Saint Tanshoo 但唱 Tansho .
and temple 万竜寺 Manryu-Ji


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Who made Buddha Statues ?
Mark Schumacher


Buddhist Sculptors Gallery


Daruma Pilgrims in Japan


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