7/27/2011

Oyama Fudo Afuri

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Oyama Fudo (Ooyama no Fudoo sama)
大山の不動様、神奈川県

- not - 大山寺 Daisen-Ji -




The founding legend of this temple tells us the following :

Priest Roben, who was the de facto founder of Todaiji, came back to Kanagawa in 752 at the age of 48, shortly after the consecrating ceremony of the Great Buddha at Todaiji was over. First thing he did in Kanagawa was to climb Mt. Oyama, literally "a great mountain" and highly revered by the locals, where he found a stone statue of Fudo Myo-o, or Acala-vidyaraja in Skt. Interpreting it was a divine revelation, he made up his mind to found a temple (not a shrine) right on top of the mountain. He practiced asceticism in the mountain for three years. Getting the emperor's approval, he finally built a temple and named it Ukosan Daisanji .

In the early Kamakura Period (1185-1333), Yoritomo Minamoto (1147-1199) , the founder of the Kamakura Shogunate, patronized the Shrine and dedicated a holy sword to Sekison Gongen every year, praying for continued luck in arms. On the record is the fact that in 1192 he visited the Shrine and prayed that Masako Hojo (1156-1225), his wife, might have an easy delivery. Entering the Hojo Era in 1219, however, the Hojo Regents did not give as much support to the Shrine as Yoritomo had been, and the Shrine began to go downhill.

It was Priest Gangyo (?-1295), who restored the declining Shrine, or rather the temple to be exact. He was a Shingon Sect priest of Sen'nyuji in Kyoto, which had long been the temple for the Imperial Family before the Meiji Imperial Restoration of 1868. Unable to tolerate the sight of the half-desolate temple, he determined to restore it. Collecting necessary alms and funds, he rebuilt the temple and made two iron-cast statue of Fudo Myo-o during the 1261 to 1274 period.

The first one was dubbed "Trial Fudo," as he made it as a trial, which is now enshrined at Kakuonji in Kamakura. The second one was for the temple, which is 104 centimeter tall, and nearly as tall as 2 meters if its halo is included. The statue became the main object of worship of the temple, and the main hall was built precisely at the site where the Shrine's main hall stands today. Worshipers called the temple
"Oyama Fudo" or "Oyama-dera." (Ooyama-dera 大山寺)


The temple was founded on request of 聖武天皇 Shomu Tenno as a chokugan-ji 勅願寺.
. Chokuganji 勅願寺 Chokugan-Ji, "Imperial Temple" .


- Reference : Oyama Afuri Jinja Shrine


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observance kigo for late summer

Ooyama matsuri 大山祭 (おおやままつり)
Oyama festival

Ooyama moode 大山詣(おおやまもうで)pilgrimage to Oyama

sekison moode 石尊詣(せきそんもうで)pilgrimage to cliffs Sekison Gongen
bonyama, bon yama 盆山(ぼんやま)pilgrimage at O-Bon
(The cliffs at the Roben waterfall were considered deities, see below).

hatsuyama 初山(はつやま) first mountain pilgrimage
osamedachi 納太刀(おさめだち) offering a sword
(See the legends above.)

From July 27 to August 17 at Afuri Shrine.
Mount Oyama was famous for its rain rituals during the Edo period.


quote
The Oyama Afuri jinja matsuri(大山阿夫利神社祭)
is a unique festival held on mount Oyama in the Tanzawa mountains in Kanagawa. Mount Oyama is 1,252 metres high and has long been regarded as a holy mountain and object of worship. A sacred Shinto mikoshi is carried from the Afuri jinja, which is located on the top of Mount Oyama, first to the lower shrine on the side of the mountain, and then on down to the shrine office at the very foot of the mountain; a distance of 8km.


The people carrying the mikoshi are dressed in all white Heian period (794 -1185) clothing and the attendants are dressed in various traditional Heian and Edo period dress. Traditional instruments accompany the procession.

The highlight of the event is watching as they ascend the steep slopes of Oyama and then on down the winding roads of the mountain town at the base. A traditional Shinto Kagura dance is performed and a special Oyama Noh performance is held in the evening.

Look at the video here:
source : www.mustlovejapan.com


quote
Oyama Afuri Jinja Shrine
The Afuri Jinja Shrine is believed to have been founded about 2,200 years ago during the time of Emperor Sujin, and is dedicated to the high gods of
Oyamatsumi no Kami 大山祗大神,
Oikazuchi no Kami 大雷神 Ikazuchi no Kami, and
Takaokami no Kami 高おかみ神.


It was revered by Minamoto no Yoritomo as well as the Hojo clan, Ashikaga clan, and Tokugawa clan, and prospered during the Edo period when it was popular to visit Mt. Oyama.
source : amazing-kanagawa.jp


. Ooyamatsumi no kami 大山祇神 .
大山積神, 大山津見神 Oyama Tsumi no Mikoto

. Raijin and Ikazuchi 雷神 Gods of Thunder .

. Takaokami no Kami 高おかみ神 God of Rain .


. Rain Rituals and Prayers (amagoi 雨乞い) .


. Kurikara Fudo 倶利伽羅不動剣 .
at Afuri Jinja


. OBSERVANCES – SUMMER SAIJIKI .




Homepage of Afuri Jinja, Isehara
神奈川県伊勢原市大山355
source : www.afuri.or.jp

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Oyama Fudo Statue 大山不動像の大きさ Measurements
像   高  97.9 cm - hight of statue
総   高  287cm(8尺7寸)hight of all
重   量  重量130貫( 約480Kg ) weight

One of the three important Fudo Statues in the Kanto region.
http://www.oyamadera.jp/02.html


Every day there are fire rituals, Goma-Kitoo 護摩祈祷


But the biggest is the Great Fire Ritual in February 28, when five places are fired all at once. It used to be my favorite ritual when I was still living in the area. This was a special day every year indeed. See below for more.

Amulettes for protection


http://www.oyamadera.jp/03.html


県指定重要文化財木造不動明王坐像
. Seated Fudo Statue - National Treasure .
in the museum of Isehara town

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  五檀護摩供修行(大祭)
The Great Fire Ritual on Five Altars


On a cold morning in February many people gather here to celebrate the fire rituals on five altars. (This makes the inside quite warm, by the way.) The Heart Sutra is chanted over and over again until the last wooden piece with a wish or promise is burned to ashes. You can get quite in trance with all the incense and holy smoke in the small dim-lit hall. The statue of Fudo in the background seems to dance with the flames. All is very un-earthly after a while you are completely soaked into this mysterious realm.
If you have time, go there on February 28 of any year.
It starts around 10, so get up early.
I went there every year while I lived in Kamakura.





五檀護摩供修行(大祭)

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There is also a great Star Festival held on December 22,
Day of the Winter Solstice.

 星祭大護摩供修行開白

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Some talismans and amulettes are sold online.

Wooden Tablet with Fudo in his incarnation as a Dragon around a sword.
Kurikara, the Sword of Fudo Myo-o  




Migawari Fudo, he is taking your place in case of misfortune


Fudo himself to protect you



Keyholder to protect those born under his star.


http://www.oyamadera.jp/08.html


. Amulets and Talismans from Japan . 


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To get deliverance from a curse of a dead or living soul, you have to pray to Fudo Myo-O.
The ritual is called "Tsuina Tokubetsu Kitoo".
You find the cost of this ritual performed expecially for you here on the link given below. It can be more than 300 dollars, if your adversary is a real fiend.


追儺特別祈祷」(ついなとくべつきとう)。
http://www.oyamadera.jp/05.html

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Visiting Oyama in recent centuries



At Oyama in the city of Isehara, there are temples and shrines where people have been praying since ancient times. In particular, Oyama has been both a destination for religious purposes and for tourism as well since the 17th century, when the people of Edo started visiting.
One of the reasons behind the popularity of Oyama has been the priests known as “oshi” who visited many areas encouraging people to visit Oyama.
source : www.city.isehara.kanagawa.jp

oshi (onshi) 御師(おし/おんし) Oshi priest-guides of Oyama
They performed spacial purifying rituals before the ascent of the mountain and offered special amulets to their followers.

- quote
Localized religious specialists in early modern Japan:
The development of the Oyama Oshi System


This paper discusses the emergence of oshi, lay religious specialists who contributed to the spread of regional pilgrimage cults in the Tokugawa period, by focusing on the example of Oyama, Sagami Province.
Over the course of the seventeenth century, Oyama's oshi developed gradually as successors of shugenja and shrine priests who had lost much of their authority to the Shingon temples on the mountain in the first decade of the seventeenth century. In the second half of the seventeenth century the tradition of mountain asceticism largely disappeared from Oyama. The former mountain ascetics of Oyama needed new means of income, forcing them to run inns and develop parishes throughout the Kanto region.

These parishes, from which most of Oyama's pilgrims came, became the single most important source of income for Oyama. The system spread from areas near Oyama across the entire Kanto region. It was these oshi who sustained the bonds between parishioners and the mountain by making annual visits to their parishes and providing accommodations for pilgrims. Despite their conflict-laden genesis, the oshi were not in constant opposition to Oyama's Shingon temples.

They developed customary networks with temples to handle pilgrims and received licenses from the head Shingon temple of the mountain, Hachidai-bo, which helped them to distinguish themselves from their competitors in neighboring villages. Another reason why the oshi did not voice a united opposition to the temples was that they were a fairly diverse group with different lineages and levels of wealth.

Some oshi were in the employ of Hachidai-bo and therefore shared the Shingon temples' interests. It was only in the late Edo period that several wealthy oshi began to seek affiliation with external sources of authority such as the Shirakawa house and to engage in anti-Buddhist rhetoric culled from the nativist Hirata School. This led to friction between the Shingon temples and the oshi and provided the basis for the
Revue / Journal Title
- source : cat.inist.fr


The oshi handed special fuda amulets to their parishioners, called

haisatsu 配札 special amulets

which also helped to keep the groups (koo 講) together till our times.

Often when they distributed their amulets, they got soy beans or other vegetables as offerings, and thus could offer tofu and vegetarian meals at their lodgings.

「大山の御師たちが配札や祈祷、日侍行事などを行い、謝礼として受け取り集められた大豆などの豊富な原材料が大山に集中したこと。」

© More in the WIKIPEDIA !

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After praying and getting relief at the temple, you can walk down the mountain to the cable car.
On the way are more stone statues of various deities.



Pilgrimage to 36 Fudo Temples in the Kanto area,
starting with Oyama Fudo.
関東三十六不動霊場巡礼
Scroll through all the 36 temples.
http://www.nenjudo.co.jp/page/junreireport3.htm


関東三十六不動霊場 Pilgrimages to 36 Fudoo Temples
Ooyama Fudo in Kanagawa Pref.
大山不動、神奈川県



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Priest Roben and
. Temple Todai-Ji 東大寺 - Nara .

Rooben no taki 良弁滝(ろうべんのたき)Roben-Waterfall

神奈川県大山


Look at more photos here:
source : ooyamamairi.html

相州大山石尊権現  Oyama Sekison Gongen
Sekison Mairi Koritori 石尊参垢離取(せきそんまいりこりとり)
Ablutions at the foot of the Stone Deity Sekison Gongen
In former times from June 28 till July 7.
later from July 14 to 17 (Bon Yama 盆山)



相州大山ろうべんの瀧

. Katsushika Hokusai 葛飾北斎 .

Roben practised austerities here in the year 755.
At that time, the waterfall was about four meters high.
This scene has also been portraid in Kabuki
大山と家光 and 大山良弁滝の場.


The waterfall today


source : www.ooooyama.com


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. Kobayashi Issa 小林一茶 in Edo .

三間の木太刀をかつぐ袷かな
san-gen no kidachi o katsugu awase kana

in thick summer robes
pilgrims carry a wooden sword
eighteen feet long


This hokku is from the ninth month (October) of 1819, the year evoked in Issa's Year of My Life, when Issa was living in his hometown. The hokku appears in a fairly similar form in Year of My Life, where it has a note, On a pilgrimage to Ooyama Shrine, which indicates that it is about a group of pilgrims going to the Sekison Shrine on Mt. Ooyama, about fifty miles from the city of Edo, where Issa lived for many years. The main time of year for making pilgrimages to the shrine was between lunar 6/27 and 7/17, when the whole mountain became open to the public, and thousands of small groups of pilgrims representing larger groups or kou traveled to the mountain and were able to climb up it and present their offerings and prayers directly to the mountain god. Traditionally the mountain was believed to be a site where the souls of ancestors returned to this world, but it was also believed to respond to prayers for rain. In addition, warriors offered precious swords to the god there when they prayed for success. In Edo, the god of Mt. Ooyama was extremely popular among commoners during Issa's time, and groups of a hundred or more believers sprang up in many neighborhoods and among many professions, especially among carpenters, construction workers, blacksmiths, and firemen, and each year a different small group of members would be sent to the mountain to pray on behalf of all of the members, with expenses paid by offerings made by the whole group.


source : ooyamakaido.com/modules

Issa's hokku evokes one such group, perhaps as they set out from Edo to make their pilgrimage to Mt. Ooyama. By Issa's time commoner pilgrims had begun to present large wooden swords to the Ooyama god, Sekison Gongen, who was believed to be pleased by swords, which were commonly mentioned in Buddhism as a tool for cutting through illusions and attachment to the world and also in popular shamanism, where spiritually powerful swords were regarded as a means of protection against malevolent spirits. Some pilgrims carried short wooden swords, but it was believed that the pleasure of the mountain god increased with the size of the wooden sword, so many groups began to carry and present very long wooden swords, which had the name of the god written on them and represented the prayer of the whole group. The sword in the hokku is eighteen feet long, so it is probably being carried on the shoulders of two pilgrims. When they get to Mt. Ooyama, the pilgrims will enter a nearby river or perhaps the falls at the foot of the mountain in order to purify themselves and the wooden sword before meditating and then climbing the mountain and presenting the sword to the god. After they present the sword, they will be given a different wooden sword presented earlier by other pilgrims which has already been accepted and blessed by the god, and this sword they will take back to Edo and place in the shrine in the hall or room where the whole group periodically meets.

In the version of this hokku in Year of My Life, the sword is "25 or 30 feet long," although this may be a deliberate exaggeration by Issa. Judging from the placement of the hokku among other hokku in Year of My Life, Issa seems to be skeptical that greater sword length is related to greater sincerity or greater power of prayer. After all, the number of times one repeats Amida Buddha's name is much less important than the condition of one's heart/mind as one says the name. Still, Issa seems to be impressed by the great efforts made by the pilgrims on their journey. By mentioning the seemingly minor detail that the pilgrims wear thick summer robes -- usually worn in early summer, when it is cooler -- Issa stresses rather tactually the fact that after a few miles of walking the long sword must feel very heavy on the pilgrims' shoulders.

* The custom at Ooyama of receiving a wooden sword presented by another person after you presented your own wooden sword to the god suggests the presence of an important element linking the culture popular pilgrimages and the culture within which renga and renku emerged and flourished.


source : www.isehara-jc.com/2011
http://www.isehara-jc.com/2011/uploads/img4d735f14e1c2d.jpg

Contemporary pilgrims carrying a long wooden sword up the mountain:

Chris Drake

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. Shrine Hibita Jinja 比々多神社 .
San no Miya in Sagami


. 関東三十六不動霊場
Pilgrimages to 36 Fudo Temples in Kanto (Bando) .

Number 01 is Oyama!


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3/12/2011

Nai no Kami Earthquake

. jishin 地震 Legends about Earthquakes .
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Nai no kami 地震神
The Japanese god of earthquakes.

nai no kami ないのかみ / なゐの神【地震神】 deity of earthquakes

and what we need most, an earthquake talisman - 地震御守




quote
by Mori Mizue
A kami worshiped following disastrous earthquakes.
The earliest historical record of an earthquake in Japan appears in a poem included in Nihongi's account of Emperor Buretsu, but the first record of an earthquake kami and its worship comes from Nihongi's records of the reign of Empress Suiko.

In summer of the seventh year of her reign (599 C.E.), a temblor struck the capital regions, and an order was issued to offer worship to the kami of earthquakes, although no title is given to any specific kami to be worshiped.

In later periods, the transmission of legends regarding the "pivot stone" (kanameishi) at the shrine Kashima Jingū led to the belief that the shrine's central deity Takemikazuchi was a protector against earthquakes, and identifications were also made with kami of the "landlord deity" (jinushigami) type.

The mythologies transmitted by Kojiki and Nihongi, however, provide no descriptions of kami with clear attributes as protective tutelaries against earthquakes, and the original deity may have been related to Chinese Onmyōdō (Yin-Yang) beliefs.

Some have suggested that Nai Jinja in Nabari of Iga Province (a shikinaisha or shrine listed in the Engishiki) was dedicated to this kami.
source : Kokugakuin University, 2005


In the Manyo-Shu 万葉集 poetry collection there is a verse reading

ゆるげどもよもや抜けじの要石
鹿島の神のあらん限りは

The pivot stone may wobble
but it will not become unstuck
as long as the God of Kashima Shrine is with us!


In the Edo period people believed that if you write this poem on a piece of paper, read it out loud three times and then stick the paper to your door, the house will be protected from earthquake damage.

(Some sources say this poem is not from the Manyo-Shu.)


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jishin mushi 地震虫 (じしんむし) earthquake bug

This mythical animal is mentioned in the Nihon Shoki volume about Suiko Tenno 推古天皇紀.
In the year 599 there was a huge earthquake in the region of Nara, so the Tenno ordered the "God of Earthquakes" Nai no Kami「地震神」(なゐのかみ) to be venerated in the country.
The name refers to the attribute of the deity, like the "god of the fields 野の神", or the "god of the sea 海の神".

This deity was later venerated at the shrine Kashima Jingu.





CLICK for source, www10.palala.or


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Takemikazuchi no mikoto (武甕槌大神)


Tekemikazuchi standing on a catfish

the "rough spirit" (aramitama) of Amaterasu ōmikami


He holds down the God of the Earthquake, here in the form of a huge catfish, and sits on the famous "key stone" "kaname ishi 要石".

A giant catfish (namazu) lived in mud beneath the earth. The catfish liked to play pranks and could only be restrained by Kashima, a deity who protected the Japanese people from earthquakes. So long as Kashima kept a mighty rock with magical powers over the catfish, the earth was still. But when he relaxed his guard, the catfish thrashed about, causing earthquakes.


quote
Takemikazuchi
by Kadoya Atsushi
A kami produced from the blood adhering to the sword when Izanagi killed the fire kami Kagutsuchi. Together with Amanotorifune (Kojiki) or Futsunushi no kami (Nihongi), Takemikazuchi descended to the land of Izumo and entreated Ōkuninushi to transfer the land (kuniyuzuri) to the heavenly kami.

Kojiki adds that he engaged in a test of strength with Takeminakata, the child of Ōkuninushi, who had opposed the heavenly forces. Subduing Takeminaka, he drove him away to Suwa in the province of Shinano (present-day Nagano).

On the occasion of Emperor Jinmu's eastern campaign, Takemikazuchi deferred from descending to aid Jinmu, but in his place sent his sword Futsunomitama, in this way aiding Jinmu's forces in their successful pacification of the land. Takemikazuchi is worshiped at Kashima, Kasuga and other shrines.
source : Kokugakuin University, 2005



Kashima Shinko 鹿島信仰
The Faith related to Kashima
. Kashima Shrine 鹿島神宮 Kashima Jingu .  



Kashima Torii 鹿島鳥居 Kashima Shrine Gate


It broke down during
the super earthquake on March 11, 2011.

鹿島神宮の鳥居が倒壊している
鹿島神宮崩壊してる
鹿島港の北埠頭と南埠頭で浸水が発生した。

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Nai jinja 名居神社(ないじんじゃ)shrine Nai Jinja

CLICK for more photos

In the town Nabari 名張市下比奈知 宮ノ谷 in Iga, Mie prefecture.
The pronounciation may have changed from nafuri to nahori to nabari to nai.

The deity Ooanamuchi no Mikoto 大己貴命 おおあなむち‐の‐みことis venerated.
He used to be a Kunitsu Daimyojin 国津大明神 (the god of the earthly realm).

also venerated the deities :

Sukunahiko no mikoto 少彦名命(スクナヒコナノミコト)
Amenokoyane no mikoto天児屋根命(アメノコヤネノミコト)
Kotoshironushi no mikoto事代主命(コトシロヌシノミコト)
Ichikishima hime no mikoto 市杵嶋姫命(イチキシマヒメノミコト)
Hiruko no mikoto 蛭子命(ヒルコノミコト)


This is a shrine dedicated to the deity of earthquakes,
jishin no kami 地震の神.


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god of earthquakes -
what does it take
to keep you quiet ?





Thank you, Origa san, for your haiga.
Let us hope Nai no Kami accepts this offering.

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The Super Earthquake March 11, 2011
東北地方太平洋沖地震
magnitude 9:0
with a huge tsunami of more than 10 meters
. Tohoku region Pacific Ocean offshore earthquake .  


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. WKD : Earthquake (jishin 地震)  

. jishin 地震 Legends about Earthquakes .

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- #jishinearthquake -
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11/27/2010

Fudo Small Shrine

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zushi 厨子 miniatur shrine

- quote
1 A miniature shrine in which Buddhist images or rolls of sutras kyou 経, are kept. Reliquary miniature shrines vary in shape and size. Some are free-standing square, rectangular, cylindrical or oval shaped. Others are shaped like a temple building and still others are three-sided and attached to the inside wall of the building in which it is kept. They have double-hinged doors each with a two-fold leaf or double doors.
If the shape of the reliquary for enshrining Buddhist relics *sharitou 舎利塔, suggests a pagoda *tou 塔 or *houtou 宝塔, the body is usually circular and the roof is pyramidal *hougyou yane 宝形屋根. Most miniature shrines are constructed of wood, but some are made of iron or gilt bronze.

Miniature shrines were made in the 7-8c, but became more widespread after the esoteric Buddhist sects, Tendai 天台 and Shingon 真言, were introduced from China in the 9c. Temple construction sponsored by these sects steadily increased after that time. The zushi made in miniature temple forms often provide important information about the architectural style of the period.
Example: *Tamamushi no zushi, 玉虫厨子 owned by Houryuuji 法隆寺 (mid-7c), in Nara.

2 Zushi can also refer to the small Buddhist altars found in homes. They contain images, relics, portraits of deceased family members and their posthumous names written on vertical strips of lacquered wood rendered in gold.

3 Zushi or *zushidana 厨子棚, originally meant an enclosed shelved cabinet for storing clothing, household objects and personal belongings.
- source : JAANUS



. butsudan 仏壇 Buddhist family altar .

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厨子入り不動明王 柘植材 
shrine 12 cm high / Fudo 7 cm
made from tsumi 柘 wood (old name for yamaguwa 山桑 Morus bombycis)

- source : kyokanze.ocnk.net


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mini butsudan ミニ仏壇  mini altar
- source : rakuten.co.jp/auc-ryusho

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CLICK for more photos !

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- Fudo Statues from Buddhamuseum.com:

Fudo Myo-O 不動明王 in a miniatur shrine





The figure inside the wooden Zushi Altar depicts a fierce looking Fudo Myo-o flanked by two deities that measures 3.25” tall. The writing on the back of the piece reads “Narita, Prayer for good luck and good fortune” and it means Narita Shinsho-Ji Temple in Chiba Prefecture, Japan.

Ever since founded by Priest Kanjo in 940, the temple has been the center of worship as the head temple of Chizan Branch of Shingon Sect also known as ' Fudo of Narita.' The principal worship image of this temple is the Fudo Myo-o statue carved by Kukai, the founder of the Shingon Sect.





Antique Buddha statues in our collection have served as objects of contemplation, meditation and worship in temples and home shrines over several centuries in many parts of the world. A great range of imagery proliferated as Buddhism infused the spiritual consciousness of the East.
source : www.buddhamuseum.com

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more Fudo Statues from Buddhamuseum.com:







Acala. from Tibet


CLICK for more Fudo Statues from Buddhamuseum.com.

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Two zushi from the museum in Swizzerland
shared by Walter in the facebook group





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- shared by Patrick on facebook -

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source : facebook - 仏像ワールド

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. Narita Fudo ... 成田不動尊  
Temple Shinsho-Ji (Shinshooji) 新勝寺


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- #fudozushi -
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11/23/2010

Men Mask

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Mask of Fudo Myo-O お面不動明王



source : asakusa-edoya

This mask is made from washi paper by the artist Igarashi Kenji 五十嵐健二, maker of Kasukabe Dolls.
After forming the mask, he painted it with watercolors.


. Dolls from Kasugabe (Kasukabe hariko)
春日部張子
 


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source : www.shinise.ne.jp

Made by Fujiware Fuseki
藤原孚石(ふじわらふせき)
born Showa 17

This mask is made for the Nenbutsu Kyogen performance at Temple Mibudera. It has the power to ward off evil.
It is in the style of masks of Saga 嵯峨面.


. Mibu Nenbutsu 壬生念仏
Invoction of Amida at Mibu Temple
 



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source : www.ryu-sho.co.jp

Made from plain wood of the kusunoki, the camphor tree.
Size : 22 x 16,5

from Ryu Sho, Buddhist Sculptures
〒700-0945 岡山県岡山市南区新保1155-11


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source : japanwoodcarving.com

SUKEMASA Gallery.


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CLICK for more samples - 不動明王 能面




nikutsuki men 「肉付き面」こと「不動」 mask with flesh
室町~江戸時代 三井記念美術館」
- source : nlab.itmedia.co.jp -


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source : shisei.blog.eonet.jp

From an exhibition at Nara
万美夢面舘(奈良市餅飯殿センター街)


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source : origamist.blog



Making faces with Origami
面・顔の折り紙
Kawai Toshiaki (1932 - )
Craftsman for Origami, published many books

. Introducing 河合豊彰 Kawai Toshiaki .
and his Daruma Faces 


MORE
. Origami and Daruma san  



autumn deepens -
my dreams float around
the color RED

. Gabi, Inspired by the Origami



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CLICK for more English information
CLICK for more masks
CLICK for more Fudo Masks !


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. Noh Mask 能面 達磨 and Daruma  


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Mask for Shinto kagura dance

Daruma as a follower or clown maks
従者・道化の小だるまの面



large


source : Edo Satokagura



Shinto Kagura is distinct from the court kagura and instead features older ritual styles similar to that performed at Shinto shrines. This style of music involves the preparation of a shinza or place of worship to which the gods are invited. A priestess or miko is central to the ritual which is generally performed on winter evenings.


. Satokagura 里神楽


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Daruma Mask, a gift from Ishino san.
Kasukabe paper craft


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. Men, omote 面 masks of Japan .


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